the realms are mine

Asiacell via M&C Saatchi MENA

Asiacell
RED

19.1M

Active Subscribers

The Product

RED

Asiacell RED is Iraq's boldest telecom offering — built around unlimited social media, double credit, and family packages. The campaign asked one direct question to the nation: أنت ويانه؟ (I AM RED — ARE YOU WITH US!)

Freedom

Unlimited social media. Double the credit. A plan built for how Iraq actually lives online.

Connectivity

Iraq's fastest-growing network, reaching every corner of the country with a signal people trust.

Family

Family packages designed to keep everyone on the same network — together under RED.

Sonic Identity

Logo Intro

Logo Intro — Drop video file here

Art Direction

The Direction
I Choose

Asiacell RED — Key Visual
Asiacell RED — Variant 1
Asiacell RED — Variant 2
Asiacell RED — Variant 3
Asiacell RED — Variant 4
Asiacell RED — Type Visual

Digital — Social Media

Social 1
Social 2
Social 3
Social 4

Package Apparel

RED15 Package
RED30 Package

Sonic Identity

Logo Outro

Campaign Films

Broadcast & Digital

Role

Art Direction
Campaign Design

Agency

M&C Saatchi MENA

Client

Asiacell Telecommunications

Medium

Print, Digital,
OOH, Broadcast

Lay's Iraq / PepsiCo MENA · 2024

Newroz
Pêroz

0%

Stock Elements Used

Overview

Two Worlds.
One Celebration.

Newroz — the Kurdish and Persian New Year — is the most emotionally charged calendar moment in the Kurdistan Region. Lay's Iraq wanted to own it: not with a generic seasonal wrapper, but with a genuine cultural statement. The brief called for two limited-edition pack designs, a full campaign identity, and a collector-grade gift box. Every petal, every flame, every mountain ridge was drawn from nothing.

2 Limited SKUs

Tomato Ketchup in deep blue. French Cheese in burnt orange. Visually distinct, unmistakably one campaign.

100% Hand-Drawn

Every flame, mountain, pomegranate, and floral tile was built from scratch. Zero stock libraries. Zero licensed assets.

Collector Gift Box

A magnetic-lid collector object wrapping both illustration worlds onto a single continuous panoramic surface.

Campaign Hero

Both Packs.
One Frame.

Lay's Newroz — Both Flavors Campaign Hero
French Cheese Limited Edition
Gift Box Interior Reveal

Creative Direction

The Blue World
& The Orange.

Tomato Ketchup — Blue World

Cool midnight blue. Jagged mountain peaks in graphic relief. White wildflowers in negative space. Gold linework through Kurdish floral patterns. The imagery evokes the high mountain passes of Kurdistan — where Newroz arrives first, in silence, in the thaw.

French Cheese — Orange World

Warm amber bleeding into deep terracotta. Flames drawn with energy and upward movement. Pomegranates rendered in dark illustrative detail. Mountain settlements at golden hour. The fire imagery doesn't decorate — it describes the moment.

Collector Gift Box Interior
Box Angle 01
Box Angle 02
Box Open View
Full Box Collection
Blue World Side

Campaign Extension

Asiacell × Lay's

Asiacell × Lay's Campaign Extension

Motion Identity

Campaign in Motion

Role

Creative Direction
Art Direction
Hand Illustration

Studio

Brodmann10

Client

Lay's Iraq
PepsiCo MENA

Deliverables

Packaging, Campaign,
Gift Box, Motion

Burger King Iraq × Brodmann10

Fish
King

Burger King Iraq
Sub-Brand · Campaign · Identity
2024
Brodmann10
Overview

A limited product
that earned its
own identity.

Sub-Brand IdentityCustom Logomark Campaign DesignHand Illustration Bilingual CopyArt Direction

When Burger King Iraq launched the Fish King — a boneless fish fillet burger for a limited time — the brief asked for more than a seasonal wrapper. The product had a real identity hook. It needed a visual world to live in, not just a promotional banner.

We created Fish King as a full sub-brand inside the BK system: its own crowned-fish logomark, its own warm illustrative language, its own bilingual campaign voice — designed to feel completely native to BK's DNA while standing apart as something genuinely its own.

Every element — the school of fish, the wave forms, the wordmark poster illustration — was drawn from scratch. Nothing was sourced. Everything was owned.

1
Sub-Brand Built from Zero
6
Logo Colour Variants
2
Language Campaign Adaptations
0
Stock Assets Used
Sub-Brand Identity ·Custom Logomark · Hand Illustration ·Kurdish Sorani · Arabic Campaign ·6 Colour Variants · Limited Edition Launch ·Sub-Brand Identity · Custom Logomark ·Hand Illustration · Kurdish Sorani ·Arabic Campaign · 6 Colour Variants ·Limited Edition Launch ·
Creative Direction

"Fish?
Our
way."

The Campaign Hook

The campaign line was built to work bilingually with the same punchy rhythm: "Fish?" as a large, outlined question — almost provocative — followed by the brand answer: "But our way." In Arabic and Kurdish Sorani, the copy shifts register to match each audience's spoken tone while the visual structure stays perfectly mirrored.

The Visual World

The Fish King universe is grounded in warm cream. A school of orange fish silhouettes drifts in loose formation behind the hero burger — suggesting abundance and movement without becoming a background graphic. The illustration style is flat but characterful: hand-drawn to distinguish it from generic fast food art.

The Logomark System

The Fish King mark was designed from first principles: simplified fish body, side fin, forked tail, crown sitting above — the wordmark integrated into the body shape. Built in all six BK house colours and tested for legibility across every background it would encounter in market.

Photography Art Direction

The burger was art directed with a specific framing discipline: ground-level angle, wide lens, warm directional light, cream background. The product fills the lower two-thirds of the poster — making the upper zone clear for the headline to dominate without competition.

Cream
#F5F0E8
BK Orange
#F05A28
BK Red
#C8102E
Dark Brown
#2D1608
BK Green
#226B33
BK Gold
#F0A500
01
Product Naming & Voice
Fish King was a natural extension of BK's crown language. The bilingual tagline was developed to be conversational and punchy in both Arabic and Kurdish Sorani — matching how both markets actually speak.
02
Sub-Brand Identity Design
The crowned fish logomark was drawn from scratch and tested in all six BK house colours. The goal: a mark that reads as BK-native but signals a new product family with its own visual equity.
03
Illustration & Environment
The school-of-fish illustration, the wave shapes, and the full wordmark identity poster were all hand-built. The visual environment was designed for portrait social, wide digital, and OOH formats simultaneously.
04
Bilingual Adaptation
Each poster was independently typeset in Arabic and Kurdish Sorani — headline scale, subline rhythm, and tagline size all adjusted for each script's character proportions.
05
Photography Direction
Art direction guidelines specified: ground-level camera, wide focal length, warm raking light, cream seamless background. The product occupies the lower frame while the headline owns the sky above it.
06
Delivery & Colour Variants
Full asset pack delivered: print-ready poster files, social crops at all required ratios, and a complete logo system across all six colour variants — ready for BK Iraq's regional teams.
Alan Baban
Alan Baban / Brodmann10
Brodmann10 — All Hand-Drawn
Burger King Iraq
© 2024 Alan Baban / Brodmann10 · Sulaymaniyah, Kurdistan

Asiacell (YOOZ) · M&C Saatchi MENA · Campaign

YOOZ

Kolish Inta

كولش إنتا — So You · Senior Art Direction

Scroll
01 Campaign Brief

Kolish Inta.
So You.

YOOZ is Asiacell's youth-targeted sub-brand — built for a generation that defines itself on its own terms. Kolish Inta is a campaign that speaks directly to individual identity: celebrating what makes each person different, turning self-expression into the core message across broadcast, digital, and OOH.

Identity

A campaign that mirrors back the audience — bold, unapologetic, entirely individual. Every execution shaped around "you."

Energy

Vibrant, kinetic visuals cut through the noise — built to dominate youth feeds and stop the scroll on every platform.

Reach

Broadcast, OOH, social, digital — a fully integrated campaign system for YOOZ's audience on every channel.

YOOZ — Campaign Key Visual
02 Storyboard

The Vision
On Paper

Art direction committed to paper before a single frame was shot — every beat, every cut, every moment of visual language mapped across the full sequence.

Storyboard Overview A
Storyboard Overview B
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03 Film Direction

Campaign
Animatics

Seven directed spots — each a distinct narrative beat within the "Kolish Inta / So You" universe. Select any clip below.

TVC 01 / 07
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02
03
04
05
06
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04 Final TVC

The Final
Cut

All the direction, storyboarding, and creative decisions — realized in final broadcast form.

YOOZ — Final Broadcast TVC
05 Campaign Finals

Final Executions

Campaign Final A
Campaign Final B

Role

Senior Art Direction
Campaign Design

Agency

M&C Saatchi MENA

Client

Asiacell
(YOOZ sub-brand)

Medium

Broadcast · Digital
OOH · Social

Mazda Iraq · 33 Studio

It's
Already
You.

AI × Mazda

Campaign Concept · Art Direction

The Concept

A car that
mirrors you.

Every Mazda is designed with a specific human aesthetic in mind. The insight behind It's Already You: what if we could prove it? We built an AI experience that reads a person's visual presence — their colour palette, silhouette energy, texture language, and aesthetic instinct — and reveals the Mazda that was already made for them.

Not a quiz. Not a filter. A genuine AI visual match — translating who you are into which Mazda you are.

01 / Scan

Visual Presence

A person's image is captured — face, posture, clothing, colour, and overall aesthetic energy.

02 / Read

Aesthetic DNA

Computer vision parses dominant colour palette, texture affinity, geometric language, and movement energy.

03 / Map

Model Match

Each signal is cross-referenced against Mazda's model DNA library — design intent, surface character, and spirit.

04 / Reveal

It's Already You

The result is not a suggestion. It's a reflection. The Mazda that was already designed to be yours.

Campaign Art Direction

Visual 01 / 07
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Visual 01
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Visual 02
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Visual 04
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Visual 05
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Visual 07
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Role

Creative Direction
AI Concept
Art Direction

Studio

33 Studio

Client

Mazda Iraq

Campaign

It's Already You
AI × Art Direction

AB
Sound

Deep into the night.

Techno Deep House Dark Techno Listen on SoundCloud

The Night Shift

When the projects
are done —
the music starts.

Creativity doesn't stop at the end of the workday. After hours, the studio becomes something else — a space for sound. I produce Techno, Deep House, and Dark Techno: long, hypnotic structures built from texture, rhythm, and atmosphere. Music made not for the mainstream, but for the depth.

The same instinct that drives visual direction — obsession with detail, mood, and the space between elements — drives the music. Different language. Same source.

Influences

Electronic · Big Room

Afrojack

The energy architecture — how a track builds pressure and then releases with total control.

House · Progressive

David Guetta

Understanding how emotion travels through electronic music — the craft behind the feeling.

Dark Techno · Melodic

Anyma

The dark melodic world — texture over noise, atmosphere over volume, depth over impact.

Listen

Find the
sound.

SoundCloud — AB Sound

TeamMart · 33 Studio · 2025

TeamMart
Bahar 2026

بهار

Spring Campaign

The Campaign

Spring. Sale.
Celebration.

Bahar — Spring in Kurdish — is Iraq's most commercially charged seasonal moment. TeamMart, Iraq's largest retail chain, commissioned a full bilingual campaign for their 2026 spring sale: TVC, radio, digital, OOH, and in-store. Both Arabic and Kurdish versions were produced simultaneously, each adapted for tone, cadence, and cultural nuance while staying visually unified.

Bilingual

Full Arabic and Kurdish executions — each adapted for cultural resonance, not just translated.

Full Suite

TVC, radio, digital, OOH, and in-store activation — a complete campaign system delivered end to end.

Recognised

Selected and archived by Ads of the World — the global benchmark for advertising excellence.

Recognition

Ads of the World

Featured in the Global
Advertising Archive

The TeamMart Bahar 2026 campaign was selected for Ads of the World — the world's largest curated source of advertising inspiration, recognising creative excellence from agencies and brands across every market. An honour reserved for work that sets the standard.

Adsoftheworld.com · Campaign Archive
TeamMart Bahar 2026 — Campaign Key Visual

The Campaign Films

Arabic & Kurdish

Two distinct cultural executions — one creative vision. Both spots directed and art directed simultaneously, ensuring consistent visual language across languages.

Arabic Version عربي
Kurdish Version كوردى

Role

Creative Direction
Art Direction
Copywriting
Production

Studio

33 Studio

Client

TeamMart
Iraq

Recognition

Ads of the World
Campaign Archive

VIMEO / YOUTUBE EMBED PLACEHOLDER

Call me AB.

Senior Art Director & Creative Director — Shaping brands, campaigns, and visual systems across global markets.

OBSESSING THE WHOLE DETAIL.

(1) Campaign & Brand Work

Selected Works — Campaigns, Brands & Art Direction

A collection of projects across FMCG, telecom, retail, automotive, and lifestyle brands.

01 / 06

Asiacell — RED

Asiacell · M&C Saatchi MENA

Art Direction · Campaign Design

Asiacell RED Campaign

A telecom identity refresh brought to life across Iraq — print, digital, OOH, and broadcast.

View Project →

Asiacell · M&C Saatchi MENA — Art Direction · Campaign Design

02 / 06

Lay’s / Cheetos / Doritos

PepsiCo · M&C Saatchi MENA

Art Direction

Lay’s campaign banner

FMCG campaign art direction for PepsiCo’s snack portfolio — bold, playful, shelf-stopping.

View Project →

PepsiCo · M&C Saatchi MENA — Art Direction

03 / 06

Burger King

Burger King

Art Direction

Burger King campaign banner

QSR campaign visuals built for speed, appetite, and brand recognition.

View Project →

Burger King — Art Direction

04 / 06

TeamMart — Bahar 2026

TeamMart

Creative Direction · Art Direction · Copywriting · Production

TeamMart Bahar 2026

Iraq’s largest retail chain. Full campaign suite — TVC, radio, digital, OOH, in-store — bilingual Kurdish & Arabic.

View Project →

TeamMart — Creative Direction · Art Direction · Copywriting · Production

05 / 06

It’s Already You

Mazda Iraq

Creative Direction · AI Concept · Art Direction

Mazda Iraq — It’s Already You

AI-powered campaign concept for Mazda Iraq — a visual personality engine that reads your aesthetic and reveals the Mazda made for you.

View Project →

Mazda Iraq — Creative Direction · AI Concept · Art Direction

06 / 06

YOOZ by Asiacell

Asiacell · M&C Saatchi MENA

Art Direction · Campaign Design

YOOZ by Asiacell

Campaign art direction for Asiacell’s YOOZ brand — a bold youth-targeted telecom identity across digital, OOH, and broadcast.

View Project →

Asiacell · M&C Saatchi MENA — Art Direction · Campaign Design

(2) AI-Directed Visuals

Future Forward & Experimental

AB Sound

When the work is done, the night shift begins — Techno, Deep House & Dark Techno produced after dark.

(Music Production · Sound Design)

Asiacell Lay's Cheetos Doritos Burger King TeamMart
Asiacell Lay's Cheetos Doritos Burger King TeamMart
KOCH Mazda Iraq YOOZ by Asiacell Dae Gardens The Workshop Vape On
KOCH Mazda Iraq YOOZ by Asiacell Dae Gardens The Workshop Vape On

WORK THAT NEEDS NO EXPLANATION.

How I Work

A quick look into my creative process — because a great visual is just the beginning.

01

The Brief

Every project starts with listening. Understanding the brand, the market, the audience, and the gap no one else sees.

Discovery Phase 01
02

Concept & Direction

Ideas take shape. I develop the visual language, mood boards, storyboards, and campaign architecture that holds everything together.

Strategy Phase 02
03

Art Direction & Production

From key visuals to motion to sound — I direct every detail across print, digital, video, and environmental. Bilingual execution in Kurdish, Arabic, and English.

Execution Phase 03
04

Delivery & System

The final 10% is what separates good from unforgettable. I deliver production-ready assets and scalable design systems, not just one-off files.

Handoff Phase 04
Alan Baban Portrait
The mind behind the work

Alan Baban

Most people in advertising learn how to sell products.
I learned how to build worlds around them.

For the last 8+ years, I've been moving between agencies, pitch rooms, sleepless deadlines, music studios, and client calls — shaping campaigns, identities, and visuals that people actually feel.

At Brodmann10, I worked on global brands like Lay's, Cheetos, Doritos, and Burger King — creating campaigns where every frame, color, and detail had to hit hard and stay memorable.

Later with M&C Saatchi MENA, I worked on campaigns for Asiacell and regional brands across the Middle East, balancing big ideas with the chaos of real production.

But agency life was never enough.
So I built my own studio: 33 Studio.
From retail giants to automotive, F&B, and lifestyle brands across Kurdistan and Iraq — helping businesses go from "just another company" to something people remember.

And somewhere between all of that, I started producing dark techno and deep house under AB Sound Lab.
Because music teaches you timing. Tension. Energy. Atmosphere.
The same things that make great design feel alive.

Based in Sulaymaniyah. Open to relocation. Always chasing the next heavy idea.

Languages

Kurdish Sorani (Native) / Arabic — Iraqi (Fluent) / English (Fluent)

THE WORLD HAS ENOUGH ORDINARY. LET'S NOT.