Asiacell — RED
A telecom identity refresh brought to life across Iraq — print, digital, OOH, and broadcast.
View Project →the realms are mine
Asiacell via M&C Saatchi MENA
19.1M
Active Subscribers
The Product
Asiacell RED is Iraq's boldest telecom offering — built around unlimited social media, double credit, and family packages. The campaign asked one direct question to the nation: أنت ويانه؟ (I AM RED — ARE YOU WITH US!)
Freedom
Unlimited social media. Double the credit. A plan built for how Iraq actually lives online.
Connectivity
Iraq's fastest-growing network, reaching every corner of the country with a signal people trust.
Family
Family packages designed to keep everyone on the same network — together under RED.
Sonic Identity
Art Direction
Digital — Social Media
Package Apparel
Sonic Identity
Campaign Films
Role
Art Direction
Campaign Design
Agency
M&C Saatchi MENA
Client
Asiacell Telecommunications
Medium
Print, Digital,
OOH, Broadcast
Lay's Iraq / PepsiCo MENA · 2024
0%
Stock Elements Used
Overview
Newroz — the Kurdish and Persian New Year — is the most emotionally charged calendar moment in the Kurdistan Region. Lay's Iraq wanted to own it: not with a generic seasonal wrapper, but with a genuine cultural statement. The brief called for two limited-edition pack designs, a full campaign identity, and a collector-grade gift box. Every petal, every flame, every mountain ridge was drawn from nothing.
2 Limited SKUs
Tomato Ketchup in deep blue. French Cheese in burnt orange. Visually distinct, unmistakably one campaign.
100% Hand-Drawn
Every flame, mountain, pomegranate, and floral tile was built from scratch. Zero stock libraries. Zero licensed assets.
Collector Gift Box
A magnetic-lid collector object wrapping both illustration worlds onto a single continuous panoramic surface.
Campaign Hero
Creative Direction
Tomato Ketchup — Blue World
Cool midnight blue. Jagged mountain peaks in graphic relief. White wildflowers in negative space. Gold linework through Kurdish floral patterns. The imagery evokes the high mountain passes of Kurdistan — where Newroz arrives first, in silence, in the thaw.
French Cheese — Orange World
Warm amber bleeding into deep terracotta. Flames drawn with energy and upward movement. Pomegranates rendered in dark illustrative detail. Mountain settlements at golden hour. The fire imagery doesn't decorate — it describes the moment.
Campaign Extension
Motion Identity
Role
Creative Direction
Art Direction
Hand Illustration
Studio
Brodmann10
Client
Lay's Iraq
PepsiCo MENA
Deliverables
Packaging, Campaign,
Gift Box, Motion
When Burger King Iraq launched the Fish King — a boneless fish fillet burger for a limited time — the brief asked for more than a seasonal wrapper. The product had a real identity hook. It needed a visual world to live in, not just a promotional banner.
We created Fish King as a full sub-brand inside the BK system: its own crowned-fish logomark, its own warm illustrative language, its own bilingual campaign voice — designed to feel completely native to BK's DNA while standing apart as something genuinely its own.
Every element — the school of fish, the wave forms, the wordmark poster illustration — was drawn from scratch. Nothing was sourced. Everything was owned.
The campaign line was built to work bilingually with the same punchy rhythm: "Fish?" as a large, outlined question — almost provocative — followed by the brand answer: "But our way." In Arabic and Kurdish Sorani, the copy shifts register to match each audience's spoken tone while the visual structure stays perfectly mirrored.
The Fish King universe is grounded in warm cream. A school of orange fish silhouettes drifts in loose formation behind the hero burger — suggesting abundance and movement without becoming a background graphic. The illustration style is flat but characterful: hand-drawn to distinguish it from generic fast food art.
The Fish King mark was designed from first principles: simplified fish body, side fin, forked tail, crown sitting above — the wordmark integrated into the body shape. Built in all six BK house colours and tested for legibility across every background it would encounter in market.
The burger was art directed with a specific framing discipline: ground-level angle, wide lens, warm directional light, cream background. The product fills the lower two-thirds of the poster — making the upper zone clear for the headline to dominate without competition.
Asiacell (YOOZ) · M&C Saatchi MENA · Campaign
كولش إنتا — So You · Senior Art Direction
YOOZ is Asiacell's youth-targeted sub-brand — built for a generation that defines itself on its own terms. Kolish Inta is a campaign that speaks directly to individual identity: celebrating what makes each person different, turning self-expression into the core message across broadcast, digital, and OOH.
Identity
A campaign that mirrors back the audience — bold, unapologetic, entirely individual. Every execution shaped around "you."
Energy
Vibrant, kinetic visuals cut through the noise — built to dominate youth feeds and stop the scroll on every platform.
Reach
Broadcast, OOH, social, digital — a fully integrated campaign system for YOOZ's audience on every channel.
Art direction committed to paper before a single frame was shot — every beat, every cut, every moment of visual language mapped across the full sequence.



















Seven directed spots — each a distinct narrative beat within the "Kolish Inta / So You" universe. Select any clip below.







All the direction, storyboarding, and creative decisions — realized in final broadcast form.


Mazda Iraq · 33 Studio
AI × Mazda
Campaign Concept · Art Direction
The Concept
Every Mazda is designed with a specific human aesthetic in mind. The insight behind It's Already You: what if we could prove it? We built an AI experience that reads a person's visual presence — their colour palette, silhouette energy, texture language, and aesthetic instinct — and reveals the Mazda that was already made for them.
Not a quiz. Not a filter. A genuine AI visual match — translating who you are into which Mazda you are.
01 / Scan
Visual Presence
A person's image is captured — face, posture, clothing, colour, and overall aesthetic energy.
02 / Read
Aesthetic DNA
Computer vision parses dominant colour palette, texture affinity, geometric language, and movement energy.
03 / Map
Model Match
Each signal is cross-referenced against Mazda's model DNA library — design intent, surface character, and spirit.
04 / Reveal
It's Already You
The result is not a suggestion. It's a reflection. The Mazda that was already designed to be yours.
Campaign Art Direction







Role
Creative Direction
AI Concept
Art Direction
Studio
33 Studio
Client
Mazda Iraq
Campaign
It's Already You
AI × Art Direction
The Night Shift
Creativity doesn't stop at the end of the workday. After hours, the studio becomes something else — a space for sound. I produce Techno, Deep House, and Dark Techno: long, hypnotic structures built from texture, rhythm, and atmosphere. Music made not for the mainstream, but for the depth.
The same instinct that drives visual direction — obsession with detail, mood, and the space between elements — drives the music. Different language. Same source.
Influences
Electronic · Big Room
Afrojack
The energy architecture — how a track builds pressure and then releases with total control.
House · Progressive
David Guetta
Understanding how emotion travels through electronic music — the craft behind the feeling.
Dark Techno · Melodic
Anyma
The dark melodic world — texture over noise, atmosphere over volume, depth over impact.
TeamMart · 33 Studio · 2025
بهار
Spring Campaign
The Campaign
Bahar — Spring in Kurdish — is Iraq's most commercially charged seasonal moment. TeamMart, Iraq's largest retail chain, commissioned a full bilingual campaign for their 2026 spring sale: TVC, radio, digital, OOH, and in-store. Both Arabic and Kurdish versions were produced simultaneously, each adapted for tone, cadence, and cultural nuance while staying visually unified.
Bilingual
Full Arabic and Kurdish executions — each adapted for cultural resonance, not just translated.
Full Suite
TVC, radio, digital, OOH, and in-store activation — a complete campaign system delivered end to end.
Recognised
Selected and archived by Ads of the World — the global benchmark for advertising excellence.
Ads of the World
The TeamMart Bahar 2026 campaign was selected for Ads of the World — the world's largest curated source of advertising inspiration, recognising creative excellence from agencies and brands across every market. An honour reserved for work that sets the standard.
The Campaign Films
Two distinct cultural executions — one creative vision. Both spots directed and art directed simultaneously, ensuring consistent visual language across languages.
Role
Creative Direction
Art Direction
Copywriting
Production
Studio
33 Studio
Client
TeamMart
Iraq
Recognition
Ads of the World
Campaign Archive
VIMEO / YOUTUBE EMBED PLACEHOLDER
Senior Art Director & Creative Director — Shaping brands, campaigns, and visual systems across global markets.
(1) Campaign & Brand Work
A collection of projects across FMCG, telecom, retail, automotive, and lifestyle brands.
A telecom identity refresh brought to life across Iraq — print, digital, OOH, and broadcast.
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FMCG campaign art direction for PepsiCo’s snack portfolio — bold, playful, shelf-stopping.
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QSR campaign visuals built for speed, appetite, and brand recognition.
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Iraq’s largest retail chain. Full campaign suite — TVC, radio, digital, OOH, in-store — bilingual Kurdish & Arabic.
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AI-powered campaign concept for Mazda Iraq — a visual personality engine that reads your aesthetic and reveals the Mazda made for you.
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Campaign art direction for Asiacell’s YOOZ brand — a bold youth-targeted telecom identity across digital, OOH, and broadcast.
View Project →(2) AI-Directed Visuals
When the work is done, the night shift begins — Techno, Deep House & Dark Techno produced after dark.
(Music Production · Sound Design)
A quick look into my creative process — because a great visual is just the beginning.
Every project starts with listening. Understanding the brand, the market, the audience, and the gap no one else sees.
Ideas take shape. I develop the visual language, mood boards, storyboards, and campaign architecture that holds everything together.
From key visuals to motion to sound — I direct every detail across print, digital, video, and environmental. Bilingual execution in Kurdish, Arabic, and English.
The final 10% is what separates good from unforgettable. I deliver production-ready assets and scalable design systems, not just one-off files.
Most people in advertising learn how to sell products.
I learned how to build worlds around them.
For the last 8+ years, I've been moving between agencies, pitch rooms, sleepless deadlines, music studios, and client calls — shaping campaigns, identities, and visuals that people actually feel.
At Brodmann10, I worked on global brands like Lay's, Cheetos, Doritos, and Burger King — creating campaigns where every frame, color, and detail had to hit hard and stay memorable.
Later with M&C Saatchi MENA, I worked on campaigns for Asiacell and regional brands across the Middle East, balancing big ideas with the chaos of real production.
But agency life was never enough.
So I built my own studio: 33 Studio.
From retail giants to automotive, F&B, and lifestyle brands across Kurdistan and Iraq — helping businesses go from "just another company" to something people remember.
And somewhere between all of that, I started producing dark techno and deep house under AB Sound Lab.
Because music teaches you timing. Tension. Energy. Atmosphere.
The same things that make great design feel alive.
Based in Sulaymaniyah. Open to relocation. Always chasing the next heavy idea.
Languages
Kurdish Sorani (Native) / Arabic — Iraqi (Fluent) / English (Fluent)